1 00:00:00,000 --> 00:00:02,000 本字幕仅供学习交流，严禁用于商业用途 2 00:00:02,369 --> 00:00:04,077 3 00:00:04,100 --> 00:00:06,500 GOSSIP GIRL HERE-- YOUR ONE AND ONLY SOURCE 4 00:00:06,500 --> 00:00:09,800 INTO THE SCANDALOUS LIVES OF MANHATTAN'S ELITE. 5 00:00:10,200 --> 00:00:11,900 TOP STORY ON MY HOME PAGE-- 6 00:00:11,900 --> 00:00:15,600 SERENA VAN DER WOODSEN, EVERYBODY'S FAVORITE "IT" GIRL 7 00:00:15,600 --> 00:00:18,100 HAS JUST RETURNED FROM A MYSTERIOUS ABSENCE 8 00:00:18,100 --> 00:00:19,700 AND WAS LEARNING THE HARD WAY 9 00:00:19,700 --> 00:00:22,100 THAT YOU CAN NEVER GO HOME AGAIN. (cell phone rings) 10 00:00:24,200 --> 00:00:28,100 YOU'LL NEVER BELIEVE WHAT'S ON "GOSSIP GIRL." SOMEONE SAW SERENA GETTING OFF 11 00:00:28,100 --> 00:00:31,100 SERENA? SERENA'S AT SCHOOL. 12 00:00:31,100 --> 00:00:33,500 WHY'D SHE RETURN? LET ME GUESS-- YOU TOLD EVERYONE 13 00:00:33,500 --> 00:00:35,900 ERIC'S JUST VISITING GRANDPA IN RHODE ISLAND. 14 00:00:35,900 --> 00:00:37,800 YOUR AUNT CAROL IN MIAMI. HE TRIES TO TAKE HIS OWN LIFE, 15 00:00:37,800 --> 00:00:41,300 AND YOU'RE WORRIED IT'S GONNA COST YOU MOM OF THE YEAR? 16 00:00:41,300 --> 00:00:44,100 MUST BE A LOT OF RUMORS WHY YOU'RE BACK. NONE OF THEM MENTION YOU. 17 00:00:44,100 --> 00:00:47,600 NATE'S GONNA WAIT FOR SERENA. HE CAN GET IN LINE BEHIND THAT GUY. 18 00:00:48,500 --> 00:00:50,500 I DON'T NEED SOME NEW BOY INFLUENCING HER, 19 00:00:50,500 --> 00:00:54,000 DISTRACTING HER FROM HER NEEDS. A KID LIKE DAN IS 20 00:00:54,000 --> 00:00:55,400 GUESS WHO'S DAD IS COOL? 21 00:00:55,400 --> 00:00:57,500 IT'S A TRICK QUESTION. YEAH, 'CAUSE IT CAN'T BE OURS. 22 00:00:57,500 --> 00:00:59,500 YOU'RE GOING OUT WITH SERENA, AND I'M GOING 23 00:00:59,500 --> 00:01:03,100 TO KISS ON THE LIPS. WHO SAID THIS FAMILY WASN'T COOL? 24 00:01:03,100 --> 00:01:04,500 I THOUGHT EVERYTHING WAS GOOD BETWEEN US. 25 00:01:04,500 --> 00:01:08,300 IT WAS... BEFORE I FOUND OUT YOU HAD SEX WITH MY BOYFRIEND. 26 00:01:08,300 --> 00:01:10,800 GREAT, JUST IN TIME FOR BRUNCH. 27 00:01:10,800 --> 00:01:12,900 I TOLD HER TO STAY AWAY. 28 00:01:12,900 --> 00:01:15,400 I'M NOT SNEAKING AROUND WITH YOU. JUST TO TALK. 29 00:01:16,700 --> 00:01:18,800 YOU SAID YOU'D NEVER SPEAK TO HER AGAIN. 30 00:01:18,800 --> 00:01:21,600 SO YOU SLEPT WITH YOUR BEST FRIEND'S BOYFRIEND. IS THAT TRUE? 31 00:01:21,600 --> 00:01:24,500 THEN SHE RAN AWAY AND LIED ABOUT IT. 32 00:01:24,500 --> 00:01:31,000 POOR DANIEL--SO LITTLE TIME, SO MANY SLUTS TO DEFEND. 33 00:01:31,000 --> 00:01:33,100 THIS WORLD, IT'S--IT'S CRAZY. 34 00:01:33,100 --> 00:01:34,800 AND YOU'RE A PART OF IT. 35 00:01:35,500 --> 00:01:37,300 BLAIR, HOW CAN I FIX THIS? 36 00:01:37,300 --> 00:01:41,100 YOU DON'T, SERENA. YOU JUST STAY AWAY. 37 00:01:41,100 --> 00:01:42,700 BUT NOW THAT SERENA IS BACK, 38 00:01:42,700 --> 00:01:45,300 WILL THE UPPER EAST SIDE EVER BE THE SAME? 39 00:01:45,300 --> 00:01:46,800 IT TAKES TWO TANGLE, 40 00:01:46,800 --> 00:01:50,300 AND GIRLS LIKE THESE DON'T GO DOWN WITHOUT A FIGHT. 41 00:01:51,700 --> 00:01:53,100 AND WHO AM I? 42 00:01:53,100 --> 00:01:55,600 THAT'S A SECRET I'LL NEVER TELL. 43 00:01:56,700 --> 00:01:58,100 YOU KNOW YOU LOVE ME. 44 00:01:58,100 --> 00:02:02,200 X.O.X.O., GOSSIP GIRL. 45 00:02:02,200 --> 00:02:06,200 (girls choir) * G-L-A-M 46 00:02:06,200 --> 00:02:07,600 THERE'S PLENTY OF UPSIDE 47 00:02:07,600 --> 00:02:10,700 TO BEING THE SPAWN OF THE FABULOUSLY WEALTHY. 48 00:02:10,700 --> 00:02:12,500 BUT THE DOWNSIDE? 49 00:02:12,500 --> 00:02:14,200 SUPER SUCCESSFUL PARENTS 50 00:02:14,200 --> 00:02:17,100 EXCEPT NOTHING LESS FROM THEIR OFFSPRING. 51 00:02:17,100 --> 00:02:21,100 AND WHEN IT COMES TO COLLEGE, THAT MEANS THE IVIES. 52 00:02:21,100 --> 00:02:23,200 IT'S MORE THAN JUST GETTING INTO COLLEGE. 53 00:02:23,200 --> 00:02:26,400 IT'S SETTING A COURSE FOR THE REST OF YOUR LIFE. 54 00:02:26,400 --> 00:02:28,700 AND FOR THOSE FEW WHO AREN'T LEGACIES, 55 00:02:28,700 --> 00:02:30,500 THE PRESSURES ARE NO LESS. 56 00:02:30,700 --> 00:02:34,300 WHEN PARENTS HAVE SACRIFICED FOR THEIR CHILDREN'S FUTURES, 57 00:02:34,300 --> 00:02:36,500 WHAT KID WOULD WANNA LET THEM DOWN? 58 00:02:36,500 --> 00:02:39,800 * G-L-A-M * G-L-A-M -==http://www.ragbear.com==- 片名 第N季第N集 59 00:02:39,800 --> 00:02:43,200 * O-R-O-U-S, YEAH * O-R-O-U-S -=破烂熊字幕组=- 翻译：个人ID 校对：个人ID 时间轴：Uranus 60 00:02:43,200 --> 00:02:46,300 * G-L-A-M * G-L-A-M -=破烂熊字幕组=- 翻译：个人ID 校对：个人ID 时间轴：Uranus 61 00:02:46,400 --> 00:02:50,000 * O-R-O-U-S, YEAH * O-R-O-U-S -=破烂熊字幕组=- 翻译：个人ID 校对：个人ID 时间轴：Uranus 62 00:02:50,100 --> 00:02:53,400 * WE'RE FLYING FIRST CLASS UP IN THE SKY * 63 00:02:53,400 --> 00:02:56,700 * POPPIN' CHAMPAGNE, LIVIN' THE LIFE * 64 00:02:58,800 --> 00:03:01,600 * I WON'T CHANGE BY THE GLAMOROUS * 65 00:03:01,600 --> 00:03:03,600 * OOH, THE FLOSSY, FLOSSY 66 00:03:03,600 --> 00:03:06,600 * THE GLAMOROUS, GLAMOROUS, BY THE GLAMOROUS * 67 00:03:06,600 --> 00:03:12,100 * OOH, THE FLOSSY, FLOSSY * CHANGE 68 00:03:12,100 --> 00:03:14,100 (woman) THANK YOU, LADIES. 69 00:03:15,700 --> 00:03:18,700 GOOD MORNING, STUDENTS. I ASK ALL OF YOU 70 00:03:18,700 --> 00:03:21,400 TO SHOW A LITTLE SYMPATHY FOR OUR JUNIOR CLASS. 71 00:03:21,400 --> 00:03:24,800 THEY ARE ALMOST THROUGH WITH IVY WEEK. 72 00:03:24,800 --> 00:03:26,800 AS IS OUR LONG-STANDING TRADITION, 73 00:03:26,800 --> 00:03:28,600 THE CONSTANCE BILLARD GIRLS 74 00:03:28,600 --> 00:03:31,300 WILL BE IN CHARGE OF FRIDAY NIGHT'S MIXER, 75 00:03:31,300 --> 00:03:32,800 AND THE ST. JUDE'S BOYS 76 00:03:32,800 --> 00:03:35,900 WILL PROVIDE THE USHERS FOR THE VISITING REPRESENTATIVES. 77 00:03:35,900 --> 00:03:37,400 (woman) FOR THOSE OF YOU WHO DREAM 78 00:03:37,400 --> 00:03:39,500 OF ATTENDING AN IVY LEAGUE SCHOOL, 79 00:03:39,500 --> 00:03:43,300 THIS MIXER IS THE MOST IMPORTANT EVENT OF YOUR LIFE. 80 00:03:43,300 --> 00:03:44,700 BUT NO PRESSURE. (both chuckle) 81 00:03:46,400 --> 00:03:49,400 AH, IT'S NOT THAT BAD. IT LOOKS LIKE I SHAVED WITH A WOOD CHIPPER. 82 00:03:49,400 --> 00:03:52,500 I WAS GOING WITH MORE OF A CHAIN SAW. NOT HELPING. 83 00:03:52,500 --> 00:03:56,500 NOT TRYING TO. HEY, LOOK ON THE BRIGHT SIDE-- YOU'RE NOT A HEMOPHILIAC. 84 00:03:56,500 --> 00:03:58,800 OTHERWISE, YOU'D-- YOU'D BE IN THE EMERGENCY ROOM. 85 00:03:58,800 --> 00:04:00,900 AND THAT'S HELPING? MM, NOT REALLY. 86 00:04:00,900 --> 00:04:02,900 (Rufus) DARTMOUTH'S GONNA LOVE YOU. YEAH, I GOTTA BELIEVE 87 00:04:02,900 --> 00:04:05,700 BEING ABLE TO SHAVE IS A PREREQUISITE FOR ATTENDING. 88 00:04:05,700 --> 00:04:07,600 NO ONE IS BETTER QUALIFIED, 89 00:04:07,600 --> 00:04:11,000 NO ONE IS SMARTER, MORE WELL-ROUNDED... OR WOUNDED? 90 00:04:11,000 --> 00:04:12,900 I HAVE A TRUST FUND TO FALL BACK ON, DAD. 91 00:04:12,900 --> 00:04:15,400 YOU KNOW, ALL I HAVE IS WHAT'S UP HERE. OH. 92 00:04:15,500 --> 00:04:17,600 (Rufus) WELL, THAT IS THE MOST IMPORTANT THING. 93 00:04:17,700 --> 00:04:19,200 COLLEGE IS ABOUT ACADEMIC EXCELLENCE, 94 00:04:19,900 --> 00:04:21,500 NOT YOUR STOCK PORTFOLIO. 95 00:04:21,500 --> 00:04:23,500 BESIDES, YOU'RE GONNA DO GREAT IN YOUR INTERVIEW. 96 00:04:23,500 --> 00:04:24,300 YOU TAKE AFTER YOUR DAD THAT WAY. 97 00:04:24,300 --> 00:04:25,600 SPOTLIGHT DOESN'T PHASE US. 98 00:04:25,600 --> 00:04:29,500 OOH, YOU BETTER HOPE THERE'S NOT A SPOTLIGHT INVOLVED. 99 00:04:30,000 --> 00:04:32,200 I'M YOUR SISTER. IT'S WHAT I DO. 100 00:04:33,200 --> 00:04:35,000 NOT WHEN IT'S ABOUT DARTMOUTH. 101 00:04:37,100 --> 00:04:41,200 (woman) REMEMBER, STUDENTS... NATHANIEL, A LITTLE WAKE AND BA 102 00:04:41,300 --> 00:04:42,700 WE HAVE OUR INTERVIEWS TODAY. 103 00:04:42,700 --> 00:04:44,300 MY POINT EXACTLY. 104 00:04:44,300 --> 00:04:45,400 (whispers) I HAVE MY 1-HITTER. 105 00:04:45,400 --> 00:04:46,500 (woman) ...BUT UNDERCLASSMEN 106 00:04:46,500 --> 00:04:49,000 SHOULD CONSIDER THIS WEEK A DRESS REHEARSAL. 107 00:04:49,000 --> 00:04:52,200 YOU ARE NOT ONLY REPRESENTING YOURSELVES THIS WEEK, 108 00:04:52,300 --> 00:04:56,400 BUT GENERATIONS FROM OUR SCHOOL AND YOUR FAMILIES. 109 00:05:01,300 --> 00:05:03,200 TRY NOT TO CUT ME OFF NEXT TIME. 110 00:05:03,200 --> 00:05:05,400 YOU ALMOST KNOCKED ME OVER THE SIDE OF THE BENCH. 111 00:05:05,400 --> 00:05:07,300 I DIDN'T CUT YOU OFF. (laughs) 112 00:05:08,400 --> 00:05:10,400 I DIDN'T MEAN TO. YOU WIN FAIR AND SQUARE, 113 00:05:10,400 --> 00:05:12,500 AND NOTHING COULD MAKE ME PROUDER... 114 00:05:12,600 --> 00:05:16,100 TILL YOU GET IN THE OLD ALMA MATER, THAT IS. DAD, WE TALKED ABOUT THIS, 115 00:05:16,100 --> 00:05:18,800 ABOUT ME KEEPING MY OPTIONS OPEN, LOOKING OUT WEST. YEAH, OF COURSE, 116 00:05:18,800 --> 00:05:19,800 BUT LET'S GET SERIOUS HERE. 117 00:05:19,800 --> 00:05:21,500 SOMEONE WITH YOUR GRADES WANTS TO GET INTO DARTMOUTH, 118 00:05:21,500 --> 00:05:23,300 YOU NEED TO APPEAR TO BE WORKING FOR IT. DA I-- 119 00:05:23,300 --> 00:05:27,700 USHERING THE REP IS A GOOD STEP. HOW COME EVERY TIME 120 00:05:27,700 --> 00:05:29,400 YOU ACT LIKE IT'S A JOKE? NATE, THERE'S A PLAN HERE. 121 00:05:29,400 --> 00:05:32,100 MAYBE I WANT TO MAKE MY OWN PLAN. LISTEN, YOUR MOTHER AND I 122 00:05:32,100 --> 00:05:34,800 SO YOU CAN JUST MAKE THINGS UP AS YOU GO ALONG. 123 00:05:36,000 --> 00:05:39,600 DARTMOUTH, LAW SCHOOL, BLAIR. 124 00:05:39,600 --> 00:05:41,900 SOON YOU'RE GONNA HAVE EVERYTHING. 125 00:05:42,000 --> 00:05:45,400 LISTEN, I'M LATE FOR WORK. NAIL THAT INTERVIEW TODAY. 126 00:05:45,400 --> 00:05:47,200 GO, GREEN! 127 00:05:49,200 --> 00:05:51,900 (woman) AS PART OF IVY WEEK'S FESTIVITIES, 128 00:05:51,900 --> 00:05:53,700 AT TOMORROW NIGHT'S MIXER, 129 00:05:53,700 --> 00:05:56,700 BLAIR WALDORF WILL ANNOUCHARITY 130 00:05:56,700 --> 00:06:00,100 HER COMMUNITY OUTREACH COMMITTEE WILL HONOR THIS YEAR. 131 00:06:00,100 --> 00:06:02,800 HAVE YOU SEEN SERENA? I WONDER WHERE SHE IS. 132 00:06:02,800 --> 00:06:04,200 AND YOU KNOW WHAT I WONDER? 133 00:06:04,200 --> 00:06:06,600 HOW I'M SUPPOSED TO HEAR ANYTHING ABOUT YALE 134 00:06:06,600 --> 00:06:08,700 WITH ALL THIS TALK ABOUT SERENA. 135 00:06:12,000 --> 00:06:15,400 DO YOU REMEMBER WHEN DAD GAVE ME MY FIRST YALE SWEATSHIRT? 136 00:06:15,400 --> 00:06:16,700 I DON'T THINK ANY PIECE OF CLOTHING 137 00:06:16,700 --> 00:06:18,700 HAS EVER FIT ME MORE PERFECTLY, 138 00:06:18,700 --> 00:06:21,500 NOT TO MENTION HOW ADORABLE I FOUND THAT BULLDOG. 139 00:06:21,500 --> 00:06:23,900 REMEMBER WHEN I ASKED YOU IF I COULD GET A BULLDOG? 140 00:06:23,900 --> 00:06:25,800 GOOD CALL, BY THE WAY, SAYING NO. 141 00:06:26,300 --> 00:06:28,800 AND NOW THE BIG DAY IS FINALLY HERE. 142 00:06:28,800 --> 00:06:31,200 SOON NATE AND I WILL BE AWAY AT COLLEGE. 143 00:06:31,200 --> 00:06:33,700 HIM COMING DOWN TO YALE, ME GOING UP TO DARTMOUTH. 144 00:06:33,700 --> 00:06:35,900 DAD FLYING IN FOR THE PRINCETON GAME. 145 00:06:36,500 --> 00:06:39,500 I HOPE IT DOESN'T MAKE YOU FEEL OLD WATCHING ME GROW UP. 146 00:06:39,500 --> 00:06:41,400 EAT UP, MISS BLAIR. 147 00:06:41,400 --> 00:06:44,500 YOUR MOM WOULD WANT YOU TO HAVE A GOOD BREAKFAST. 148 00:06:51,500 --> 00:06:53,900 (woman) AND NOW HEADMASTER PRESCOTT... 149 00:06:54,000 --> 00:06:55,800 SO SERENA'S REALLY NOT HERE? 150 00:06:55,800 --> 00:06:58,900 THAT'S WHAT I SAID. WHEN YOU WEREN'T SUPPOSED TO BE TALKING. 151 00:06:59,000 --> 00:07:00,800 (man) THANK YOU, MISS TEDROW. 152 00:07:05,700 --> 00:07:08,100 SERENA, COME ON. HURRY UP. YOU'RE GONNA BE LATE. 153 00:07:08,100 --> 00:07:10,300 I AM! AND I KNOW. 154 00:07:10,600 --> 00:07:12,500 YOU KNOW, YOU SHOULDN'T HAVE STAYED AT YOUR BROTHER'S AGAIN. 155 00:07:12,500 --> 00:07:14,900 I MEAN, WHY SLEEP THERE? IT'S NOT LIKE HE CAN EVEN SEE YOU. 156 00:07:14,900 --> 00:07:16,300 HIS EYES ARE CLOSED. 157 00:07:16,300 --> 00:07:18,700 DO YOU HAVE ONE MATERNAL BONE IN YOUR ENTIRE BODY? 158 00:07:18,700 --> 00:07:22,300 U SE, YONEED YOUR REST, OKAY? IT'S IVY WEEK. 159 00:07:22,300 --> 00:07:24,500 I KNOW, AND IF I CAN GET OUT OF THIS HOTEL ROOM, 160 00:07:24,600 --> 00:07:27,000 IT'S MY SOLE MISSION IN LIFE TO IMPRESS THAT BROWN REP. 161 00:07:27,100 --> 00:07:30,000 WELL, I AM SO THRILLED TO HEAR YOU SAY THAT'S STILL YOUR PLAN, 162 00:07:30,000 --> 00:07:30,400 BECAUSE, I MEAN, 163 00:07:30,400 --> 00:07:32,100 I KNOW IT'S SOMETHING WE'VE ALWAYS TALKED ABOUT, 164 00:07:32,100 --> 00:07:34,400 BUT HONESTLY, SINCE YOU'VE BEEN BACK, 165 00:07:34,400 --> 00:07:37,200 I'VE, UH, WONDERED IF YOUR MIND WAS EVEN ON COLLEGE. 166 00:07:37,200 --> 00:07:39,800 LOOK, MOM, I'VE HAD MY MIND ON A LOT OF THINGS. 167 00:07:39,800 --> 00:07:41,800 BUT SINCE RECENT EVENTS, 168 00:07:41,800 --> 00:07:43,800 GOING AWAY TO COLLEGE SOUNDS PRETTY GOOD. 169 00:07:43,800 --> 00:07:46,500 HOW, UM, HOW DID YOU LEAVE THINGS WITH DAN? 170 00:07:46,500 --> 00:07:48,400 I DON'T WANT TO TALK ABOUT IT. 171 00:07:48,400 --> 00:07:51,800 WHAT'S GOING ON WITH YOU AND BLAIR? MOM, PLEASE! 172 00:07:51,800 --> 00:07:53,000 IT'S O-- LOOK, ALL I WANNA DO 173 00:07:53,000 --> 00:07:55,700 IS JUST FINISH HIGH SCHOOL IN PEACE 174 00:07:55,700 --> 00:07:56,800 AND GO AWAY TO A STATE 175 00:07:56,800 --> 00:07:59,000 WITH LOTS OF PEOPLE WHO DON'T KNOW WHO I AM 176 00:07:59,000 --> 00:08:01,500 AND JUST START OVER, OKAY? 177 00:08:04,800 --> 00:08:07,300 TAKE A CAB. DON'T WALK. 178 00:08:13,400 --> 00:08:14,600 (under breath) OH, GOD. 179 00:08:14,600 --> 00:08:16,600 (normal voice) GOD, PLEASE DON'T TELL ME IT'S OVER. 180 00:08:16,600 --> 00:08:19,800 WHAT? YOU WERE THERE. I-I WOULD SAY IT'S PRETTY OVER. 181 00:08:21,000 --> 00:08:22,800 I MEANT THE ASSEMBLY. 182 00:08:23,600 --> 00:08:26,900 OH, RIGHT. NO, YEAH, NO, IT JUST ENDED NOW. 183 00:08:26,900 --> 00:08:28,300 DAMN IT. 184 00:08:28,300 --> 00:08:30,800 ANYWAY, GOOD LUCK. 185 00:08:32,800 --> 00:08:34,600 YEAH, YOU, TOO. 186 00:08:34,600 --> 00:08:37,100 OH, TOO BAD YOU MISSED THE ASSEMBLY. 187 00:08:37,100 --> 00:08:38,400 NOT THAT IT MATTERS. 188 00:08:38,400 --> 00:08:40,900 BROWN DOESN'T OFFER DEGREES IN SLUT. 189 00:08:42,000 --> 00:08:42,900 SPOTTED-- 190 00:08:42,900 --> 00:08:47,400 S. NOT SO FASHIONABLY LATE AND DRESSED DOWN BY B. 191 00:08:47,400 --> 00:08:49,200 GAME ON, LADIES. (whistle blows) 192 00:08:49,900 --> 00:08:52,000 (will.i.am) * BABY, WHERE'D YOU GET YOUR BODY FROM? * 193 00:08:52,000 --> 00:08:54,000 * TELL ME WHERE'D YOU GET YOUR BODY FROM * 194 00:08:54,000 --> 00:08:55,900 * BABY, WHERE'D YOU GET YOUR BODY FROM? * 195 00:08:55,900 --> 00:08:58,400 * TELL ME WHERE'D YOU GET YOUR BODY FROM * 196 00:08:58,400 --> 00:09:03,600 (woman) * I GOT IT FROM MY MAMA, I GOT IT FROM MY MAMA * 197 00:09:03,600 --> 00:09:05,000 LOOK, I MADE A MISTAKE WITH NATE, OKAY? 198 00:09:05,000 --> 00:09:06,700 BUT THEN YOUAB 199 00:09:06,700 --> 00:09:09,200 WE DON'T HAVE TO BE FRIENDS, BUT--OH! (whistle blows) 200 00:09:09,800 --> 00:09:11,200 UGH! WHAT'S UP, WALDORF? 201 00:09:11,200 --> 00:09:13,300 SORRY. IT SLIPPED. 202 00:09:14,000 --> 00:09:15,100 I'M FINE. 203 00:09:17,600 --> 00:09:20,900 I REALLY WANT TO BELIEVE THAT WAS AN ACCIDENT. THEN YOU MUST BE DELUSIONAL. 204 00:09:20,900 --> 00:09:22,400 * WHERE'D YOU GET YOUR BODY FROM * 205 00:09:22,400 --> 00:09:27,000 * BABY, WHERE'D YOU GET YOUR BODY FROM? * (blows whistle) 206 00:09:27,300 --> 00:09:27,800 THANK YOU. 207 00:09:27,800 --> 00:09:31,500 * I GOT THIS FROM MY MAMA, ALL THIS STUFF RIGHT HERE * 208 00:09:31,500 --> 00:09:32,800 OOH! (whistle blows) 209 00:09:33,700 --> 00:09:35,900 RUNNING OUT OF COLORS HERE, BLAIR. 210 00:09:36,300 --> 00:09:38,600 AND I'M RUNNING OUT OF PATIENCE. ENOUGH, OKAY? 211 00:09:38,600 --> 00:09:40,800 IT'S ENOUGH WHEN I SAY IT'S ENOUGH. 212 00:09:40,800 --> 00:09:42,400 * LADIES 213 00:09:42,900 --> 00:09:46,100 * L-L-LADIES 214 00:09:47,200 --> 00:09:48,700 OH! (whistle blows) 215 00:09:50,000 --> 00:09:51,300 (Blair groans) GOD! 216 00:09:51,900 --> 00:09:53,000 (whistle blows) (man) GIRLS, BREAK IT UP! 217 00:09:53,000 --> 00:09:55,600 GET OFF OF ME! IS THAT ENOUGH YET?! 218 00:09:55,900 --> 00:09:59,400 * SHE PRETTY LIKE HER MAMA, AND IF HER MAMA REAL UGLY * 219 00:09:59,400 --> 00:10:02,000 SO WE'VE ACTUALLY COME TO PHYSICAL BLOWS, HUH? 220 00:10:02,600 --> 00:10:03,800 TRUCE? 221 00:10:05,600 --> 00:10:07,500 OW! MY LEG! 222 00:10:07,600 --> 00:10:10,300 (man) SERENA, YOU'RE OUT OF HERE. (Kati) OH, MY GOSH. 223 00:10:10,300 --> 00:10:12,500 OW. OW. I HOPE IT'S BROKEN. 224 00:10:12,500 --> 00:10:14,100 HEY, UPPER EAST SIDERS. 225 00:10:14,100 --> 00:10:16,500 WE HEAR THAT WORLD WAR III JUST BROKE OUT, 226 00:10:16,600 --> 00:10:18,200 AND IT'S WEARING KNEESOCKS. 227 00:10:18,200 --> 00:10:20,200 CHOOSE YOUR SIDE OR RUN AND HIDE. 228 00:10:20,200 --> 00:10:23,000 WE HAVE A FEELING THIS ONE'S TO THE DEATH. 229 00:10:23,500 --> 00:10:27,400 BE THE DARTMOUTH USHER? WELL, I'VE GIVEN THIS A LOT OF THOUGHT, 230 00:10:27,400 --> 00:10:29,900 AND I THINK I CAN ANSWER YOUR QUESTION IN THREE PARTS. 231 00:10:29,900 --> 00:10:32,100 AND I'D LIKE TO START WITH THE THIRD PART FIRST, 232 00:10:32,100 --> 00:10:35,900 IF IT'S COOL, UNLESS, UH, THAT WOULD BE CONFUSING. 233 00:10:35,900 --> 00:10:37,800 IN WHICH CASE, I CAN START AT THE BEGINNING. (chuckles) 234 00:10:38,500 --> 00:10:42,000 UM, THE DARTMOUTH "PRINCIPLES OF COMMUNITY" 235 00:10:42,000 --> 00:10:44,300 HIGHLIGHT INTEGRITY, 236 00:10:44,300 --> 00:10:47,100 RESPONSIBILITY AND CONSIDERATION. 237 00:10:47,300 --> 00:10:51,300 UH, WELL, FROM ST. JUDE'S, I'VE LEARNED INTEGRITY. 238 00:10:51,300 --> 00:10:54,600 FROM BEING AN OLDER BROTHER, I HAVE LEARNED RESPONSIBILITY, 239 00:10:54,600 --> 00:10:56,300 AND FROM MY PARENTS, 240 00:10:56,300 --> 00:10:59,800 WHO HAVE SACRIFICED EVERYTHING TO SEND ME TO THIS SCHOOL, 241 00:11:00,200 --> 00:11:02,100 I'VE LEARNED CONSIDERATION. 242 00:11:02,600 --> 00:11:04,500 IT REALLY COMES DOWN TO ONE THING-- 243 00:11:05,400 --> 00:11:07,100 DARTMOUTH IS MY DREAM, 244 00:11:07,800 --> 00:11:11,200 AND I'VE NEVER ASKED DARTMOUTH, BUT... 245 00:11:11,500 --> 00:11:13,500 I THINK IT'S BEEN DREAMING OF ME. 246 00:11:15,700 --> 00:11:17,100 THAT--THAT WAS A JOKE, 247 00:11:17,100 --> 00:11:20,300 OR AN ATTEMPT AT ONE. 248 00:11:21,000 --> 00:11:22,200 NEXT QUESTION. 249 00:11:22,200 --> 00:11:25,200 (man) YOU ARE THE IDEAL DARTMOUTH CANDIDATE. 250 00:11:25,200 --> 00:11:26,300 THANK YOU, SIR. 251 00:11:26,500 --> 00:11:28,700 AND IT WOULD BE AN HONOR TO ATTEND DARTMOUTH. 252 00:11:28,700 --> 00:11:31,600 I'VE GROWN UP HEARING ALL ABOUT IT FROM MY FATHER. 253 00:11:33,000 --> 00:11:36,000 I'M JUST NOT SURE IT'S MY FIRST CHOICE, 254 00:11:36,400 --> 00:11:39,200 AND IF THERE'S ONLY ONE USHER POSITION AVAILABLE, 255 00:11:39,900 --> 00:11:43,100 I'M SURE THERE'S SOMEONE WHO WANTS IT MORE THAN ME. 256 00:11:43,700 --> 00:11:48,500 WHY SHOULD I BE CHOSEN TO BE AN USHER? 257 00:11:54,200 --> 00:11:57,200 I'M CHUCK BASS. 258 00:12:08,100 --> 00:12:10,100 (Mr. Tedrow) EXCUSE ME. 259 00:12:12,900 --> 00:12:14,600 HEY. 260 00:12:15,600 --> 00:12:17,400 YOU GET THE ONE YOU WANTED? 261 00:12:17,600 --> 00:12:19,300 UH... 262 00:12:19,800 --> 00:12:23,300 NO. NO, ACTUALLY, YOU DID... 263 00:12:25,100 --> 00:12:29,600 WHICH MAKES TOTAL SENSE BECAUSE I'M SECOND IN OUR CLASS, 264 00:12:29,600 --> 00:12:31,400 AND YOU'RE SOMEWHERE AROUND-- 265 00:12:31,400 --> 00:12:33,800 WHAT, I DON'T KNOW, UH, LAST? 266 00:12:33,800 --> 00:12:35,000 NO HARD FEELINGS, HUH? 267 00:12:35,000 --> 00:12:37,100 WHY SHOULD THERE BE? I MEAN, HOW MANY LIBRARIES 268 00:12:37,100 --> 00:12:39,600 HAS YOUR DAD HAD TO ENDOW TO GET YOU THIS SPOT? 269 00:12:39,600 --> 00:12:43,000 YOU'VE EARNED IT. LOOK, MAN, YOU DON'T KNOW ANYTHING ABOUT MY FAMILY. 270 00:12:43,000 --> 00:12:44,600 I'M SORRY. YOU'RE RIGHT. YOU'RE RIGHT. 271 00:12:44,600 --> 00:12:46,800 I'M SURE J.L. HALL WILL BE VERY IMPRESSED 272 00:12:46,800 --> 00:12:50,300 WITH YOUR PASSION FOR THE DARTMOUTH EXPERIENCE. 273 00:12:50,300 --> 00:12:52,900 WHO THE HELL IS J.L. HALL? HE'S THE IVY REP. 274 00:12:52,900 --> 00:12:54,600 YOU MIGHT WANT TO PICK UP HIS BOOK 275 00:12:54,600 --> 00:12:56,900 IF YOU WANT ANYTHING TO TALK ABOUT. 276 00:12:59,200 --> 00:13:00,700 "THE PETTING ZOO"-- 277 00:13:00,700 --> 00:13:02,500 THAT'S THE NAME OF HIS BOOK. 278 00:13:08,000 --> 00:13:10,100 WHOA. ANGRY GUY, HUH? 279 00:13:10,900 --> 00:13:13,500 SHORT FUSE. I'M TRYING TO WORK ON THAT. 280 00:13:13,800 --> 00:13:15,700 WELL, LET ME KNOW HOW THAT GOES FOR YOU. 281 00:13:16,300 --> 00:13:18,400 YEAH, I'LL-- I'LL KEEP YOU POSTED. 282 00:13:18,400 --> 00:13:21,500 IT'S A TOUGH WEEK. NOT FOR ME, APPARENTLY. 283 00:13:21,500 --> 00:13:23,900 OH, YOU GOT AN USHER POSITION? NO, I DIDN'T. 284 00:13:23,900 --> 00:13:27,400 UH, IN AN IRONIC THOUGH NOT TOTALLY UNEXPECTED TWIST, 285 00:13:27,400 --> 00:13:30,000 NATE GOT THE ONE I WANTED. 286 00:13:30,800 --> 00:13:32,000 I'M SORRY. 287 00:13:32,000 --> 00:13:35,200 YEAH, WELL, I GUESS THAT'S LIFE WHEN YOU'RE NOT A LEGACY. 288 00:13:35,200 --> 00:13:36,700 WELL, HEY, JUST 'CAUSE YOU'RE NOT AN USHER 289 00:13:36,700 --> 00:13:38,500 DOESN'T MEAN YOU'RE NOT GONNA GET INTO AN IVY. 290 00:13:38,500 --> 00:13:41,300 YEAH? WH--UH, WHERE'D YOUR PARENTS GO TO SCHOOL? 291 00:13:41,300 --> 00:13:43,200 HARVARD AND BROWN. 292 00:13:44,800 --> 00:13:46,900 THAT'S--THAT'S ALL I'M SAYING. 293 00:13:55,400 --> 00:13:58,900 I CAN'T BELIEVE SERENA DID THIS. YEAH, SUCH A CHEAP SHOT. 294 00:14:01,300 --> 00:14:02,000 (beep) FINALLY. 295 00:14:02,000 --> 00:14:05,300 HELLO TO YOU, TOO. I HEARD ABOUT THE FIELD HOCKEY THROW DOWN. 296 00:14:05,300 --> 00:14:07,000 ALL THOSE MOUTH GUARDS AND SHORT SKIRTS-- 297 00:14:07,000 --> 00:14:08,700 I HOPE SOMEBODY FILMED IT. 298 00:14:09,200 --> 00:14:13,000 (scoffs) YOU'RE HEINOUS. Which is probably why you called. 299 00:14:13,000 --> 00:14:14,200 YOU KNOW ME WELL. 300 00:14:14,200 --> 00:14:17,400 WOMEN LIKE TO PRETEND THEY'RE COMPLICATED. I KNOW BETTER. 301 00:14:17,900 --> 00:14:21,100 MY LEG'S NUMB NOW. HOW ABOUT A HEATING PAD? 302 00:14:21,100 --> 00:14:22,500 SURE. OKAY. 303 00:14:28,300 --> 00:14:30,000 SERENA CAME HOME FOR A REASON. 304 00:14:30,000 --> 00:14:31,900 ONE CAN ONLY GUESS. I'M DONE GUESSING. 305 00:14:31,900 --> 00:14:34,000 I WANT ANSWERS, AND NO ONE LIKES TO BE 306 00:14:34,000 --> 00:14:38,400 ON THE GROUND FLOOR OF A SCANDAL LIKE CHUCK BASS. I AM A BITCH WHEN I WANNA BE. 307 00:14:38,400 --> 00:14:42,000 OPPORTUNITY TO CAUSE SOME TROUBLE, UNCOVER A SECRET? 308 00:14:42,000 --> 00:14:44,000 TAKE "YES" FOR AN ANSWER. 309 00:14:50,600 --> 00:14:51,900 LET'S TURN BACK TO SCHOOL. 310 00:14:51,900 --> 00:14:54,100 I LEFT SOMETHING IMPORTANT BEHIND. 311 00:15:02,700 --> 00:15:04,700 OH, DANNY BOY, HOW WAS YOUR DAY? 312 00:15:04,700 --> 00:15:07,700 HE'S ABOUT TO HYPE DINNER. 'CAUSE NO MATTER HOW GOOD IT WAS, 313 00:15:08,000 --> 00:15:09,700 IT'S ABOUT TO GET A LOT BETTER. 314 00:15:09,800 --> 00:15:11,800 I'VE OUTDONE MYSELF WITH THE BOLOGNESE. 315 00:15:14,600 --> 00:15:16,700 (man) * TRAY TABLES UP 316 00:15:16,700 --> 00:15:19,300 * TIME FOR THE TEST 317 00:15:22,200 --> 00:15:24,300 * WE'RE GOING DOWN 318 00:15:24,300 --> 00:15:26,900 * WE DID OUR BEST 319 00:15:29,900 --> 00:15:32,200 (muffled) SORRY ABOUT THE MELODRAMATIC ENTRANCE. 320 00:15:32,200 --> 00:15:33,500 YOU DIDN'T GET IT? 321 00:15:37,000 --> 00:15:38,600 NO, I DIDN'T GET IT. 322 00:15:41,500 --> 00:15:43,800 AND THAT I DO NOT GET. 323 00:15:45,000 --> 00:15:45,100 THEY... 324 00:15:45,100 --> 00:15:47,500 THEY GAVE IT TO NATE... 325 00:15:47,500 --> 00:15:50,000 (muffled) ARCHIBALD! 326 00:15:51,400 --> 00:15:52,800 OH! 327 00:15:52,800 --> 00:15:55,300 * BAD THINGS DON'T HAPPEN 328 00:15:55,300 --> 00:15:58,900 LAST YEAR, UH, I BELIEVE HE HAD AN ORIGINAL THOUGHT. 329 00:15:59,200 --> 00:16:00,500 IT DIED OF LONELINESS. 330 00:16:00,500 --> 00:16:03,200 * THIS CAN'T BE HAPPENING 331 00:16:03,200 --> 00:16:04,900 I'M SORRY. 332 00:16:04,900 --> 00:16:05,900 YOU'RE SORRY? 333 00:16:05,900 --> 00:16:08,200 YEAH, I KNOW HOW MUCH YOU AND MOM SACRIFICED. 334 00:16:08,200 --> 00:16:10,300 THE WHOLE REASON YOU SEND US TO A SCHOOL LIKE THIS 335 00:16:10,300 --> 00:16:13,300 IS SO WE CAN GO TO A COLLEGE OF OUR CHOICE. 336 00:16:13,300 --> 00:16:14,900 WHAT IF THAT'S ALL FOR NOTHING? 337 00:16:14,900 --> 00:16:17,800 IT'S NOT, OKAY? 338 00:16:17,800 --> 00:16:19,100 IT'S NOT. 339 00:16:20,100 --> 00:16:22,100 SO YOU DON'T GET TO BE THE USHER 340 00:16:22,100 --> 00:16:23,200 OF SOME WHATEVER PARTY. 341 00:16:23,200 --> 00:16:27,400 DAD, CAN I JUST, UM, STEW ALONE FOR AWHILE? 342 00:16:27,400 --> 00:16:30,700 * AND THEN I STILL CARE 343 00:16:43,200 --> 00:16:44,100 WE'RE HUMPHREYS, DAD. 344 00:16:45,100 --> 00:16:47,100 NOT EXACTLY ROYALTY UPTOWN. 345 00:16:47,800 --> 00:16:49,800 ARE YOU OKAY WITH THAT? 346 00:16:51,100 --> 00:16:52,300 NO, 347 00:16:53,100 --> 00:16:54,800 BUT I'M USED TO IT. 348 00:17:28,000 --> 00:17:30,700 THIS IS WAY TOO GOOD. (dialing cell phone) 349 00:17:39,100 --> 00:17:41,200 MOM, HOW'S PARIS? 350 00:17:41,300 --> 00:17:42,900 YOU'RE NOT GOING TO BELIEVE 351 00:17:43,000 --> 00:17:44,700 WHERE I FOUND OUR LITTLE PRINCESS. 352 00:17:44,700 --> 00:17:45,700 REALLY? 353 00:17:54,700 --> 00:17:54,900 (mouse button clicking) (Chuck) ADMIT IT. 354 00:17:55,000 --> 00:17:57,900 EVEN FOR ME, THIS WAS GOOD. IF YOU WEREN'T SUCH A PERV, 355 00:17:57,900 --> 00:18:00,400 I'M SURE THE C.I.A. WOULD HIRE YOU IN A SECOND. 356 00:18:00,500 --> 00:18:03,600 DEFENDING MY COUNTRY--THERE'S A FUTURE I NEVER IMAGINED. 357 00:18:03,600 --> 00:18:07,000 WITH GOOD REASON. WHAT IS SHE DOING THERE? 358 00:18:07,000 --> 00:18:08,200 WELL, WHAT'S ANYONE DOING THERE? 359 00:18:08,200 --> 00:18:11,200 IT'S A FACILITY FOR THE DISTURBED OR ADDICTED. 360 00:18:11,200 --> 00:18:12,500 YOU MUST HAVE YOUR OWN WING. 361 00:18:12,900 --> 00:18:16,600 YOU DON'T GET NEARLY ENOUGH CREDIT FOR YOUR WIT. 362 00:18:16,800 --> 00:18:19,700 SO THE QUESTION IS, WHAT DO YOU DO NOW? 363 00:18:19,700 --> 00:18:21,000 WELL, I WAS THINKING... 364 00:18:22,400 --> 00:18:24,500 TOTAL SOCIAL DESTRUCTION. 365 00:18:24,500 --> 00:18:27,400 AND HERE I THOUGHT YOU WERE GETTING SOFT. 366 00:18:27,400 --> 00:18:30,300 SO THIS IS YOUR BED, HUH? 367 00:18:30,400 --> 00:18:31,900 LEAVING NOW. 368 00:18:32,500 --> 00:18:36,000 YOU CAN REPAY ME ANOTHER TIME. 369 00:18:42,500 --> 00:18:45,300 I'VE BEEN IN THESE SESSIONS EVERY DAY FOR THE LAST WEEK, 370 00:18:45,300 --> 00:18:48,500 BUT NOTHING IS GOING TO CHANGE UNLESS SHE STOPS HIDING HIM HERE 371 00:18:48,500 --> 00:18:50,500 AND LETS HIM HAVE HIS LIFE BACK. 372 00:18:50,500 --> 00:18:52,500 THIS IS NOT CALLED HIDING, SERENA. 373 00:18:52,500 --> 00:18:54,100 IT'S CALLED RECOVERY. 374 00:18:54,100 --> 00:18:57,100 TELLING EVERYONE HE'S STAYING WITH AUNT CAROL IN MIAMI? 375 00:18:57,200 --> 00:18:59,700 HE'S NOT READY. HE'S NOT, OR YOU'RE NOT? 376 00:18:59,700 --> 00:19:02,400 OKAY, LET'S TAKE A DEEP BREATH. 377 00:19:02,600 --> 00:19:04,700 IT'S GOOD TO SEE HONEST CONVERSATION. 378 00:19:04,900 --> 00:19:07,100 WHAT DOES SHE KNOW ABOUT HONESTY? SERENA. 379 00:19:07,200 --> 00:19:10,600 BUT I REALLY THINK A DECISION LIKE THIS INCLUDES ERIC AS WELL. 380 00:19:10,800 --> 00:19:13,700 OH, YOU MEAN I HAVE A SAY IN THIS? WOW. THANKS. 381 00:19:13,700 --> 00:19:16,000 ERIC, OF COURSE. WE'RE HERE FOR YOU. 382 00:19:16,100 --> 00:19:18,800 LOOK, IF YOU'RE READY TO LEAVE, YOU TELL US, OKAY? 383 00:19:19,700 --> 00:19:21,800 NO MATTER WHAT MOM SAYS. 384 00:19:23,200 --> 00:19:26,900 I WOULD REALLY LIKE TO GET OUT OF HERE... 385 00:19:29,200 --> 00:19:31,400 OH, NO. 386 00:19:31,800 --> 00:19:34,300 BUT MAYBE I'M NOT READY YET. 387 00:19:37,700 --> 00:19:39,500 HEY, WHAT ABOUT FOR A FEW HOURS? 388 00:19:39,500 --> 00:19:41,500 YOU CAN BE MY DATE TO THE IVY WEEK PARTY TONIGHT. 389 00:19:41,500 --> 00:19:44,900 SERENA, THAT PARTY IS AN IMPORTANT EVENT FOR YOU. 390 00:19:45,000 --> 00:19:46,600 WELL, HE'LL BE AROUND PEOPLE HE KNOWS. 391 00:19:46,600 --> 00:19:48,300 IT'LL BE FUN, COMFORTABLE. 392 00:19:48,500 --> 00:19:51,300 UH, ACTUALLY, THAT SOUNDS GREAT. (woman) WELL, THERE WE GO. 393 00:19:51,400 --> 00:19:55,600 COMPROMISE. THAT WASN'T SO HARD, WAS IT? 394 00:19:56,400 --> 00:19:58,500 YOU KNOW WHAT? I HAVE TO GO, 395 00:19:58,500 --> 00:20:01,500 HELP THEM SET UP FOR TONIGHT AT THE SCHOOL. 396 00:20:01,600 --> 00:20:04,000 IT'S MY JOB AS BOTH PARENT COMMITTEE CHAIR 397 00:20:04,100 --> 00:20:06,000 AND RESPONSIBLE MOTHER. 398 00:20:12,500 --> 00:20:14,400 IT'LL BE GREAT, OKAY? 399 00:20:20,500 --> 00:20:22,400 HI. HOW ARE YOU? GOOD. 400 00:20:22,500 --> 00:20:23,900 RUFUS HUMPHREY. MM-HMM. 401 00:20:23,900 --> 00:20:26,300 UH, MY KID, DAN, GOES TO ST. JUDE'S, 402 00:20:26,300 --> 00:20:28,500 AND HE REALLY SHOULD HAVE BEEN SELECTED AS DARTMOUTH'S USHER. 403 00:20:29,000 --> 00:20:30,100 MAYBE THERE WAS A MIX-UP, 404 00:20:30,100 --> 00:20:31,700 SOME KIND OF A GLITCH IN THE SYSTEM? 405 00:20:31,700 --> 00:20:32,800 I'D LIKE TO BELIEVE THAT 406 00:20:32,800 --> 00:20:35,800 BECAUSE I LIKE TO BELIEVE THE BEST IN PEOPLE. I'M SORRY, MR. HUMPHREY. 407 00:20:36,200 --> 00:20:37,200 THE USHER POSITIONS HAVE BEEN FILLED. 408 00:20:37,200 --> 00:20:42,400 THERE'S NOTHING WE CAN DO. UH, IS THERE ANYTHING ELSE? ANY OTHER POSITIONS? 409 00:20:42,400 --> 00:20:45,800 UH, YOU'LL HAVE TO DISCUSS THIS WITH OUR COMMITTEE CHAIRWOMAN. 410 00:20:45,800 --> 00:20:47,700 SURE, PERFECT. I'D LOVE TO. WHERE CAN I FIND HER? 411 00:20:47,700 --> 00:20:50,400 I'M NOT SURE. SHE MUST BE RUNNING LATE. I... 412 00:20:50,400 --> 00:20:52,600 OH, THERE SHE IS NOW. 413 00:20:56,000 --> 00:20:57,700 WHY AM I NOT SURPRISED? 414 00:20:57,700 --> 00:21:01,000 LUCKY FOR YOU, SHE SEEMS TO BE IN A GOOD MOOD. 415 00:21:01,000 --> 00:21:02,900 UNTIL SHE SEES ME. 416 00:21:04,000 --> 00:21:04,900 RUFUS. 417 00:21:04,900 --> 00:21:07,700 TOLD YA. EXCUSE ME. 418 00:21:07,900 --> 00:21:10,600 YOU GOT A MINUTE, LIL? NOT FOR YOU. 419 00:21:21,000 --> 00:21:22,800 YOU'RE IN. 420 00:21:22,800 --> 00:21:25,000 WHAT? THE IVY WEEK PARTY TONIGHT. 421 00:21:25,000 --> 00:21:28,000 YOUR NAME WILL BE ON THE PROGRAM AND EVERYTHING. 422 00:21:28,000 --> 00:21:30,700 YOU GOT ME THE DARTMOUTH SPOT? I KNEW YOU COULD DO IT, DAD. 423 00:21:30,700 --> 00:21:32,900 (scoffs) NO, YOU DIDN'T, AND NO, I DIDN'T. 424 00:21:32,900 --> 00:21:35,800 HOW DO YOU FEEL ABOUT THE REFRESHMENT COMMITTEE? WELL, THERE IS--THERE IS 425 00:21:35,800 --> 00:21:38,100 NOT UNTIL NOW. OH, GOD. 426 00:21:38,100 --> 00:21:42,400 WHAT? EVERYBODY GETS THIRSTY. IT'S REALLY A POSITION OF POWER. 427 00:21:42,400 --> 00:21:44,000 HOW DID YOU SECURE ME THIS PROMINENT 428 00:21:44,000 --> 00:21:47,800 AND SIMULTANEOUSLY EMBARRASSING POSITION? BY OFFERING 429 00:21:47,800 --> 00:21:49,500 SERVING SNACKS? 430 00:21:50,300 --> 00:21:53,300 I'M THE HEAD OF THE ENTERTAINMENT COMMITTEE. 431 00:21:54,900 --> 00:21:56,000 (chuckles) A-ANOTHER COMMITTEE THAT DIDN'T EXIST 432 00:21:56,000 --> 00:21:57,300 UNTIL YOU LEFT THE HOUSE TODAY. 433 00:21:57,300 --> 00:22:00,100 WAY TO GO, DAD. WAIT. SO WHO'S THE ENTERTAINMENT? 434 00:22:00,100 --> 00:22:02,100 UH, SINCE IT WAS SUCH SHORT NOTICE, 435 00:22:02,100 --> 00:22:04,800 THE ONLY PERSON I COULD GET WAS MYSELF. 436 00:22:04,900 --> 00:22:08,600 KIND OF A STAID AFFAIR FOR EARLY '90s POSTPUNK MATH ROCK, 437 00:22:08,600 --> 00:22:09,199 DON'T YOU THINK? 438 00:22:09,200 --> 00:22:11,199 I'M BRINGING A COUPLE OF THE GUYS. 439 00:22:11,200 --> 00:22:13,700 IT'LL BE RUFUS UNPLUGGED. NEED A ROADIE? 440 00:22:13,700 --> 00:22:14,838 ?? 441 00:22:15,042 --> 00:22:18,200 AND WE CAN JUST MAKE THIS A FULL-FLEDGED HUMPHREY AFFAIR? 442 00:22:18,200 --> 00:22:21,200 LOOK, I DID THE BEST I COULD. 443 00:22:21,200 --> 00:22:23,700 AT LEAST YOU GET TO OFFICIALLY BE A PART OF THIS THING. 444 00:22:23,700 --> 00:22:25,800 YOU CAN TALK TO THAT AUTHOR YOU LOVE, 445 00:22:25,800 --> 00:22:29,400 ASK HIM ANYTHING YOU WANT. LIKE HIS, UH, PREFERENCE FOR SOFT DRINKS? 446 00:22:33,300 --> 00:22:35,000 IF YOU GET AT ALL ANXIOUS, SWEETIE, 447 00:22:35,000 --> 00:22:36,800 IF YOU FEEL LIGHT-HEADED OR PANICKY-- 448 00:22:36,800 --> 00:22:37,499 I'LL BE FINE, MOM. 449 00:22:37,500 --> 00:22:39,100 ALL I HAVE TO DO IS BE NORMAL. 450 00:22:40,900 --> 00:22:42,799 OR AT LEAST ACT NORMAL. 451 00:22:42,800 --> 00:22:44,200 WORKS FOR MOM. 452 00:23:05,400 --> 00:23:07,400 DO YOU SEE THE YALE REP? 453 00:23:07,400 --> 00:23:08,700 I THOUGHT YOU WANTED TO GO TO BROWN, 454 00:23:08,700 --> 00:23:11,400 AND BLAIR WANTED TO GO TO YALE. 455 00:23:11,400 --> 00:23:13,800 YEAH, I KNOW. 456 00:23:13,800 --> 00:23:15,100 MM. 457 00:23:21,200 --> 00:23:23,900 MY FATHER WOULD NEVER FORGIVE ME IF I DIDN'T INTRODUCE MYSELF. 458 00:23:23,900 --> 00:23:25,900 HE SAYS THAT YOU TWO USED TO DO CREW TOGETHER. 459 00:23:25,900 --> 00:23:27,200 CREW? 460 00:23:27,200 --> 00:23:29,900 OH, HI. I'M SERENA VAN DER WOODSEN. 461 00:23:30,100 --> 00:23:32,200 BLAIR, I DIDN'T KNOW YOU WERE INTERESTED IN DOING CREW. 462 00:23:32,200 --> 00:23:35,000 I'M NOT. I WAS JUST SAYING THAT THERE'S A FAMILY CONNECTION 463 00:23:35,000 --> 00:23:36,000 BECAUSE OF MY FATHER-- IN FACT, I DIDN'T KNOW 464 00:23:36,000 --> 00:23:38,100 YOU WERE INTERESTED IN ATHLETICS AT ALL. 465 00:23:38,100 --> 00:23:40,200 WELL, ESPECIALLY ONES WHERE YOU MIGHT GET YOUR HAIR WET. 466 00:23:40,200 --> 00:23:43,500 SHE'S REALLY MORE OF THE INDOORS TYPE OF GIRL. 467 00:23:44,100 --> 00:23:46,599 OH, MY GOODNESS. YOUR GLASS IS ALMOST EMPTY. 468 00:23:46,600 --> 00:23:49,100 LET'S GET YOU A DRINK. UH, NO, I'LL TAKE HIM. 469 00:23:49,100 --> 00:23:52,400 OH, DON'T WORRY ABOUT IT. SO TELL ME ABOUT YALE. 470 00:23:58,900 --> 00:24:00,899 CAN YOU PLEASE EXPLAIN 471 00:24:00,900 --> 00:24:02,399 HOW SERENA'S COMMANDEERING THE YALE REP 472 00:24:02,400 --> 00:24:04,400 WHILE YOU'RE SUPPOSED TO BE HIS USHER? 473 00:24:04,700 --> 00:24:06,200 I SWITCHED. 474 00:24:08,300 --> 00:24:10,600 I'M TRYING TO GET INTO PRINCETON. 475 00:24:11,300 --> 00:24:13,500 OH, DON'T YOUR LA PERLAS IN A BUNCH. 476 00:24:13,500 --> 00:24:16,399 LOOK WHO'S ARRIVED-- DR. OSTROFF. 477 00:24:16,400 --> 00:24:17,800 BLAIR, DR. DONALD OSTROFF. 478 00:24:17,900 --> 00:24:20,200 INTERESTING CHOICE OF GUEST, B. 479 00:24:20,200 --> 00:24:22,500 SUCH A PLEASURE. I'VE HEARD S-SUCH WONDERFUL THINGS... 480 00:24:22,500 --> 00:24:24,900 COINCIDENCE? I THINK NOT. 481 00:24:28,300 --> 00:24:29,400 I LIKED YOUR BOOK. 482 00:24:29,800 --> 00:24:33,100 OH, THANKS. WHAT DID YOU THINK OF THE EPILOGUE? 483 00:24:33,800 --> 00:24:35,600 SOME PEOPLE REALLY LOVE IT. 484 00:24:35,600 --> 00:24:38,300 "THE NEW YORK TIMES" CALLED IT A "CHEAP COP-OUT." 485 00:24:38,500 --> 00:24:39,999 WARNER BROS. IS MAKING A MOVIE. 486 00:24:40,000 --> 00:24:41,600 I THINK THEY'RE GONNA CHANGE THE END. 487 00:24:41,600 --> 00:24:43,200 WELL, I CAN SEE HOW THE ENDING 488 00:24:43,200 --> 00:24:46,100 MIGHT NOT SEEM ALL THAT... COMMERCIAL. 489 00:24:48,300 --> 00:24:49,400 UH... 490 00:24:49,900 --> 00:24:51,700 WOULD YOU LIKE SOMETHING TO DRINK? 491 00:24:51,700 --> 00:24:53,600 LILY, HOW ARE YOU? 492 00:24:53,600 --> 00:24:56,100 OH, BART, HELLO. HOW ARE YOU? 493 00:24:57,200 --> 00:24:59,100 HEY, ERIC. 494 00:24:59,100 --> 00:25:00,699 HOW'S, UH, MIAMI? 495 00:25:00,700 --> 00:25:03,600 IT WAS GOOD, THANKS. 496 00:25:03,900 --> 00:25:05,100 YOU KNOW, GO, MARLINS. 497 00:25:06,700 --> 00:25:08,800 WOULD YOU EXCUSE ME, PLEASE? 498 00:25:08,800 --> 00:25:10,800 SO THE NEUROSCIENCE PROJECT I'M WORKING ON 499 00:25:10,800 --> 00:25:12,600 INVOLVES THE CELLULAR SIGNALING PATHWAY 500 00:25:12,600 --> 00:25:14,500 OF NEURONAL NITRIC OXIDE SYNTHASE. 501 00:25:14,500 --> 00:25:18,100 IT'S INITIATED WHEN GLUTAMATE BINDS TO N.M.D.A.R... 502 00:25:21,200 --> 00:25:23,400 HI. YOU'RE ERIC, RIGHT? 503 00:25:23,400 --> 00:25:25,600 YEAH, YOU'RE JENNY, DAN'S SISTER, RIGHT? 504 00:25:25,600 --> 00:25:26,800 YEAH, WE, UM, MET AT... 505 00:25:26,800 --> 00:25:30,100 BENDEL'S. YEAH, I REMEMBER. OH, COOL. 506 00:25:30,100 --> 00:25:33,100 ERIC, GOOD TO SEE YOU. YOU ENJOY MIAMI? 507 00:25:33,100 --> 00:25:36,300 UH, YEAH. S-SAVE THE MANATEES. 508 00:25:39,800 --> 00:25:40,699 MANATEES? 509 00:25:40,700 --> 00:25:43,500 IT'S A LONG STORY. I'VE GOT TIME. 510 00:25:43,900 --> 00:25:45,799 IT'S A LITTLE DARK AND... 511 00:25:45,800 --> 00:25:47,200 I CAN HANDLE IT. 512 00:25:48,400 --> 00:25:50,100 (Dan) YOU WANNA GO TO YALE THEN? 513 00:25:50,300 --> 00:25:53,400 NO, BROWN. IT'S JUST THIS THING WITH BLAIR. 514 00:25:53,600 --> 00:25:56,399 OH, YEAH. YEAH, I GET IT. I MEAN, SINCE YOU DON'T HAVE 515 00:25:56,400 --> 00:25:58,099 TO ACTUALLY WORRY ABOUT GETTING INTO COLLEGE, 516 00:25:58,100 --> 00:26:01,600 WHY NOT MAKE THE ENTIRE EVENING ABOUT SCREWING OVER BLAIR? 517 00:26:04,200 --> 00:26:05,900 NO, THANKS. 518 00:26:07,100 --> 00:26:08,500 HEY. 519 00:26:10,800 --> 00:26:13,600 WAIT, YOU'RE SERIOUSLY NOT GONNA TALK TO ME? 520 00:26:14,500 --> 00:26:16,900 LIKE, LITERALLY NOT SPEAK? 521 00:26:18,000 --> 00:26:19,300 HEY. 522 00:26:20,500 --> 00:26:22,400 OH, MUCH BETTER. 523 00:26:23,500 --> 00:26:25,200 THANKS, GUYS. 524 00:26:28,900 --> 00:26:32,700 SO, UM, WHAT'S HE LIKE? 525 00:26:32,700 --> 00:26:35,099 LIKE A DARTMOUTH ENGLISH LIT PROFESSOR 526 00:26:35,100 --> 00:26:37,600 I HAVE NOTHING IN COMMON WITH. MM. 527 00:26:37,600 --> 00:26:38,400 GUESS I COULD TELL HIM 528 00:26:38,400 --> 00:26:42,700 HOW EVERYTHING I HAVE I GOT BECAUSE I'M AN ARCHIBALD. 529 00:26:45,900 --> 00:26:48,100 YOU SHOULD MENTION DR. SEUSS. 530 00:26:48,300 --> 00:26:50,800 THEODOR GEISEL IS HIS REAL NAME. HE WENT TO DARTMOUTH. 531 00:26:50,800 --> 00:26:53,000 UH, HALL SAID HE GOT THE IDEA FOR "THE PETTING ZOO" 532 00:26:53,000 --> 00:26:55,200 FROM "THE LORAX." THE WHAT? 533 00:26:55,200 --> 00:26:57,400 UM, YOU KNOW WHAT? NEVER MIND. 534 00:26:57,400 --> 00:26:59,200 JUST--JUST MENTION HOW HIS PROSE STYLE 535 00:26:59,200 --> 00:27:01,199 IS INFLUENCED BY EARLY FAULKNER. 536 00:27:01,200 --> 00:27:02,900 YOU'LL BE ALL RIGHT. 537 00:27:03,600 --> 00:27:06,200 UH, OR NOT. 538 00:27:08,800 --> 00:27:10,800 I WAS ACTUALLY GONNA GET SOME FRESH AIR. 539 00:27:11,000 --> 00:27:13,200 HOW ABOUT YOU TAKE THESE OVER TO HIM? 540 00:27:16,800 --> 00:27:18,200 ALL RIGHT. 541 00:27:18,300 --> 00:27:20,600 YEAH, I GUESS I COULD LEAVE MY POST UNMANNED 542 00:27:20,600 --> 00:27:22,400 FOR A MINUTE OR TWO. 543 00:27:44,400 --> 00:27:46,300 WHERE DO YOU THINK YOU'RE GOING? HOME. 544 00:27:46,700 --> 00:27:47,499 (scoffs) I DON'T THINK SO. 545 00:27:47,500 --> 00:27:49,600 NOW YOU GET BACK OUT THERE AND YOU FINISH WHAT YOU STARTED. 546 00:27:49,600 --> 00:27:53,100 YOU MEAN WHAT YOU STARTED? I DON'T WANNA GO TO DARTMOUTH. 547 00:27:53,800 --> 00:27:57,000 THERE, I SAID IT. NOW BACK OFF. 548 00:28:00,700 --> 00:28:03,799 SO WE MOVED INTO THE HOTEL, AND, UH... 549 00:28:03,800 --> 00:28:05,900 IT WAS JUST THE TWO OF US, 550 00:28:06,300 --> 00:28:08,800 AND I WAS REALLY LONELY. 551 00:28:08,800 --> 00:28:12,100 SO... THAT'S WHEN YOU... 552 00:28:16,200 --> 00:28:18,199 SO I ENDED UP AT THE OSTROFF CENTER. 553 00:28:18,200 --> 00:28:20,800 AND MY MOM SAYS THAT THEY HAVE THE BEST COUNSELORS, 554 00:28:20,800 --> 00:28:21,900 BUT WHAT THEY REALLY GET PAID FOR 555 00:28:21,900 --> 00:28:23,700 IS TO TO KEEP THEIR MOUTHS SHUT. 556 00:28:24,000 --> 00:28:26,600 LOOK, I-I WON'T SAY ANYTHING. 557 00:28:28,200 --> 00:28:29,900 I PROMISE. 558 00:28:32,800 --> 00:28:35,600 SO DO YOU WANNA GO BACK IN? 559 00:28:35,600 --> 00:28:37,600 YEAH, AND ANSWER MORE QUESTIONS ABOUT FLORIDA? 560 00:28:37,600 --> 00:28:40,600 WELL, I HAVE A GRANDMA WHO LIVES IN FORT MYERS. 561 00:28:40,600 --> 00:28:42,600 I CAN HELP THINK OF SOME MATERIAL. 562 00:28:50,200 --> 00:28:53,200 MAY I PLEASE HAVE EVERYONE'S ATTENTION? 563 00:28:54,400 --> 00:28:54,900 WELCOME AGAIN 564 00:28:55,100 --> 00:28:57,899 TO THE CONSTANCE BILLARD/ ST. JUDE'S IVY WEEK MIXER. 565 00:28:57,900 --> 00:28:59,700 I'M BLORF, 566 00:28:59,700 --> 00:29:01,900 CHAIR OF THE COMMUNITY OUTREACH COMMITTEE. 567 00:29:07,600 --> 00:29:09,699 EVERY YEAR, OUR SCHOOLS CHOOSE TO SUPPORT 568 00:29:09,700 --> 00:29:13,699 ONE LOCAL INSTITUTION THAT WE FEEL BENEFITS OUR COMMUNITY. 569 00:29:13,700 --> 00:29:14,500 THIS YEAR, 570 00:29:14,500 --> 00:29:18,200 OUR SCHOOLS HAVE CHOSEN TO HONOR THE OSTROFF CENTER. 571 00:29:25,000 --> 00:29:29,100 THIS SEMESTER, OUR CHOICE IS A VERY PERSONAL ONE 572 00:29:29,100 --> 00:29:31,500 BECAUSE THE CENTER HAS HELPED ONE OF OUR OWN. 573 00:29:31,500 --> 00:29:33,100 WHAT IS GOING ON HERE? 574 00:29:33,100 --> 00:29:35,000 IT'S BECAUSE OF THEIR EXCELLENT PROGRAM 575 00:29:35,000 --> 00:29:38,600 WHICH AIDS SO MANY YOUNG ADDICTS AND ALCOHOLICS 576 00:29:38,600 --> 00:29:43,500 THAT A STUDENT HERE WITH US TODAY IS CLEAN AND SOBER. 577 00:29:43,500 --> 00:29:44,700 AT LEAST, FOR NOW. 578 00:29:44,700 --> 00:29:46,199 CAN I PLEASE HAVE SERENA VAN DER WOODSEN 579 00:29:46,200 --> 00:29:48,200 JOIN ME ONSTAGE? 580 00:29:48,900 --> 00:29:51,100 SPOTTED AT IVY WEEK MIXER-- 581 00:29:51,100 --> 00:29:53,400 S. AND B.'s LAST STAND, 582 00:29:53,400 --> 00:29:56,100 AND ONLY ONE GETS OUT ALIVE. 583 00:29:56,100 --> 00:29:57,800 BETTER TAKE COVER. 584 00:30:00,600 --> 00:30:03,299 PLEASE TELL ME THIS ISN'T HAPPENING. IT'S NOT. 585 00:30:03,300 --> 00:30:05,900 NO. NO, YOU'RE NOT GOINHERE. 586 00:30:05,900 --> 00:30:07,700 YOU'RE GONNA STAY RIGHT HERE, OKAY? 587 00:30:08,400 --> 00:30:09,800 WHATEVER YOU'RE DOING, 588 00:30:09,800 --> 00:30:12,600 THINK ABOUT WHO'S STANDING IN THIS ROOM RIGHT NOW. 589 00:30:18,300 --> 00:30:20,500 DON'T TRY TO DENY IT. CHUCK SAW YOU. 590 00:30:27,200 --> 00:30:30,600 HI. I'M SERENA VAN DER WOODSEN. 591 00:30:31,700 --> 00:30:35,800 I JUST WANNA THANK MY FRIEND, BLAIR WALDORF, 592 00:30:35,800 --> 00:30:38,300 FOR RECOGNIZING THE OSTROFF CENTER 593 00:30:38,300 --> 00:30:40,900 AND ALL OF THE GOOD THINGS THAT THEY DO. 594 00:30:40,900 --> 00:30:42,800 THANKS, BLAIR. 595 00:30:46,500 --> 00:30:48,000 AT THE CENTER, 596 00:30:48,000 --> 00:30:51,299 ONE OF THE MAIN THINGS THAT WE LEARN IS FORGIVENESS. 597 00:30:51,300 --> 00:30:54,700 SHE'S IN REHAB? NO, IT'S NOT HER. IT'S HER BROTHER WHO'S THERE. 598 00:30:54,700 --> 00:30:57,300 WHAT? YOU CAN'T TELL ANYONE, OKAY? 599 00:30:57,300 --> 00:30:58,500 I WON'T, BUT WHY IS SHE DOING THIS? 600 00:30:58,500 --> 00:31:01,900 I'VE LEARNED ABOUT HOW, 601 00:31:01,900 --> 00:31:04,400 IN ORDER TO MOVE FORWARD WITH OUR FUTURE, 602 00:31:04,400 --> 00:31:08,500 WE MUST FORGIVE THOSE WHO HAVE WRONGED US IN THE PAST, 603 00:31:08,500 --> 00:31:11,800 AND WE MUST, OURSELVES, ASK FOR FORGIVENESS 604 00:31:11,800 --> 00:31:14,500 FROM THOSE WHOM WE'VE WRONGED. 605 00:31:15,300 --> 00:31:17,999 WITHOUT THIS FORGIVENESS, INNOCENT PEOPLE GET HURT-- 606 00:31:18,000 --> 00:31:21,200 ALL RIGHT, THANK YOU, SERENA. THANK YOU. THANK YOU. 607 00:31:21,200 --> 00:31:24,300 HONESTY MAY BE THE BEST POLICY IN SOME ZIP CODES, 608 00:31:24,300 --> 00:31:27,400 BUT NOT IN THIS ONE, AND NOT THIS WEEK, 609 00:31:27,400 --> 00:31:30,400 'CAUSE "I WAS A TEENAGE DRUG ADDICT" 610 00:31:30,400 --> 00:31:33,400 IS NOT EXACTLY A WINNING COLLEGE ESSAY. 611 00:31:36,700 --> 00:31:39,999 AND NOW CAN I PLEASE HAVE DR. OSTROFF JOIN ME ONSTAGE? 612 00:31:40,000 --> 00:31:41,399 WHY IS BLAIR OUTING YOU 613 00:31:41,400 --> 00:31:44,100 FOR A DRUG PROBLEM THAT YOU DON'T HAVE? 614 00:31:44,100 --> 00:31:46,000 YOU DON'T, DO YOU? MOM! 615 00:31:46,000 --> 00:31:50,400 OT LLL, WE'S NIKE HAVE SOME FREE, OPEN RELATIONSHIP. AND THAT'S MY FAULT? 616 00:31:50,400 --> 00:31:51,900 LOOK, WHAT'S HAPPENED TO ERIC 617 00:31:51,900 --> 00:31:54,600 HAS PUT A HUGE STRAIN ON OUR FAMILY, 618 00:31:55,200 --> 00:31:57,599 BUT WE ARE STILL A FAMILY. 619 00:31:57,600 --> 00:32:00,000 WHY DO YOU THINK I DID WHAT I JUST DID? 620 00:32:02,800 --> 00:32:04,700 WILL YOU EXCUSE ME? 621 00:32:04,700 --> 00:32:08,500 I'M GONNA GO END THIS WITH BLAIR NOW. 622 00:32:13,700 --> 00:32:16,800 BLAIR, WHAT THE HELL WAS THAT? 623 00:32:17,000 --> 00:32:18,000 WILL YOU EXCUSE US, PLEASE? 624 00:32:18,000 --> 00:32:18,900 SURE. 625 00:32:21,700 --> 00:32:23,100 SO WE GOOD NOW? 626 00:32:23,100 --> 00:32:24,100 ARE WE SQUARE? 627 00:32:24,100 --> 00:32:26,500 NO, BECAUSE NOTHING I DO 628 00:32:26,500 --> 00:32:28,700 WILL EVER BE AS BAD AS WHAT YOU DID TO ME. 629 00:32:28,700 --> 00:32:31,200 LOOK, I'M ASKING YOU, PLEASE. 630 00:32:31,200 --> 00:32:32,699 I'LL STOP IF YOU WILL. 631 00:32:32,700 --> 00:32:35,700 YOU'RE JUST SAYING THAT BECAUSE TODAY YOU LOST, 632 00:32:35,700 --> 00:32:38,200 AND YOU'RE GONNA KEEP LOSING. 633 00:32:38,200 --> 00:32:39,900 NOW IF YOU'LL EXCUSE ME, UNLIKE YOU, 634 00:32:39,900 --> 00:32:42,100 I HAVE A FUTURE TO GET BACK TO. 635 00:32:54,100 --> 00:32:55,400 SERENA. 636 00:32:55,600 --> 00:32:58,799 SERENA! WHAT? WHAT, DO YOU WANT TO CONGRATULATE ME 637 00:32:58,800 --> 00:33:00,800 ON DESTROYING MY FUTURE? NO, NO, NO, NO, NO, NO. 638 00:33:00,800 --> 00:33:02,400 I JUST WANTED TO ASK IF YOU'RE OKAY, 639 00:33:02,400 --> 00:33:04,300 'CAUSE WHAT YOU DID IN THERE FOR YOUR BROTHER, 640 00:33:04,300 --> 00:33:07,000 THAT WAS... THAT WAS VERY COOL. 641 00:33:07,400 --> 00:33:09,800 WAIT, HOW DID YOU KNOW ABOUT MY BROTHER? IT--IT'S OKAY. 642 00:33:10,100 --> 00:33:13,300 REALLY, NO ONE WILL EVER HEAR IT FROM ME, 643 00:33:14,000 --> 00:33:17,100 BUT IF YOU EVER NEED ANYBODY TO TALK TO, 644 00:33:17,100 --> 00:33:20,300 OR NOT TALK TO, 645 00:33:20,800 --> 00:33:22,400 I'D BE HAPPY TO DO EITHER. 646 00:33:23,200 --> 00:33:25,300 I'LL KEEP THAT IN MIND. 647 00:33:25,300 --> 00:33:26,900 AND, UM, 648 00:33:28,200 --> 00:33:31,100 I KNOW I SAID SOME THINGS ABOUT YOU 649 00:33:31,200 --> 00:33:32,500 AND YOUR WORLD, 650 00:33:33,500 --> 00:33:35,000 D I'SORRY. 651 00:33:36,000 --> 00:33:41,100 OBVIOUSLY, I DON'T KNOW ANYTHING ABOUT YOUR LIFE. 652 00:33:41,500 --> 00:33:43,000 THANK YOU, 653 00:33:43,200 --> 00:33:45,100 BUT I'VE REALLY GOT TO GET OUT OF HERE. 654 00:33:45,100 --> 00:33:46,500 YEAH, SURE, SURE. 655 00:33:47,600 --> 00:33:48,500 BUT... 656 00:33:48,800 --> 00:33:50,799 MAYBE, YOU KNOW, I CAN TAKE YOU UP 657 00:33:50,800 --> 00:33:55,300 ON THAT GETTING TOGETHER AND NOT TALKING THING SOMETIME? 658 00:33:56,900 --> 00:33:58,400 WILL YOU CALL ME? 659 00:33:59,600 --> 00:34:00,900 YEAH. 660 00:34:07,300 --> 00:34:10,300 OKAY, LET'S GO. LET'S GET OUT OF HERE. 661 00:34:10,300 --> 00:34:13,200 NO, THERE'S SOMEONE I NEED TO TALK TO FIRST. 662 00:34:13,200 --> 00:34:15,300 PLEASE, MOM, I CAN DO THIS. 663 00:34:15,900 --> 00:34:17,100 OKAY. 664 00:34:18,300 --> 00:34:21,100 BLAIR, CAN I TALK TO YOU? IT'LL JUST TAKE A MOMENT. 665 00:34:21,300 --> 00:34:23,800 SURE. SURE. 666 00:34:30,200 --> 00:34:32,300 SERENA'S NOT A PATIENT AT THE OSTROFF CENTER. 667 00:34:32,300 --> 00:34:35,400 ERIC, YOU'VE ALWAYS BEEN A SWEET KID, AND I CAN UNDERSTAND YOU 668 00:34:35,400 --> 00:34:38,400 TRYING TO PROTECT YOUR SISTER-- I AM. 669 00:34:38,700 --> 00:34:40,199 I'VE NEVER EVEN SEEN YOU TAKE A DRINK. 670 00:34:40,200 --> 00:34:42,800 I'M NOT AN ALCOHOLIC. 671 00:34:42,800 --> 00:34:45,100 I DID THIS. 672 00:34:47,700 --> 00:34:50,400 AND TODAY, SERENA PROTECTED ME. 673 00:34:53,800 --> 00:34:56,400 ERIC, I... 674 00:34:56,400 --> 00:34:57,000 I DIDN'T... 675 00:34:57,000 --> 00:34:59,000 SEE THAT COMING? YEAH. 676 00:34:59,300 --> 00:35:00,000 OH, IT MUST BE A SHOCK 677 00:35:00,000 --> 00:35:02,300 FOR SOMEONE WHO THINKS SHE KNOWS EVERYTHING. 678 00:35:09,700 --> 00:35:11,399 AND WHAT WAS THAT ALL ABOUT? 679 00:35:11,400 --> 00:35:14,300 ANOTHER BOMB LANDS IN BLAIR'S LAP. 680 00:35:14,300 --> 00:35:16,200 WILL SHE USE IT AS AMMUNITION, 681 00:35:16,200 --> 00:35:19,700 OR WILL SHE FINALLY SURRENDER AND PUT DOWN HER ARMS? 682 00:35:19,700 --> 00:35:20,900 NOTHING. 683 00:35:27,700 --> 00:35:30,000 SO YOU REALLY IMPRESSED THE GUY, HUH? 684 00:35:30,800 --> 00:35:33,500 MUST BE THE WAY YOU POURED THOSE SODAS. 685 00:35:35,900 --> 00:35:38,300 YEAH, ABOUT THAT, UH... 686 00:35:39,100 --> 00:35:42,200 I KNOW I MAY HAVE BEEN A LITTLE LIGHT ON THE GRATITUDE... 687 00:35:42,200 --> 00:35:43,600 YEAH, A TOUCH. 688 00:35:43,900 --> 00:35:46,200 BUT I APPRECIATE IT, ALL OF IT, 689 00:35:47,600 --> 00:35:50,300 EVEN IF I SOMETIMES DON'T SHOW IT. 690 00:35:50,300 --> 00:35:51,099 WE'RE REAL MEN, SON. 691 00:35:51,100 --> 00:35:52,800 WE DON'T LIKE TO SHARE OUR FEELINGS. 692 00:35:55,600 --> 00:35:56,800 BUT... 693 00:35:57,900 --> 00:35:59,299 I KNOW WHAT YOU'RE CAPABLE OF, 694 00:35:59,300 --> 00:36:01,000 AND NOTHING-- 695 00:36:01,200 --> 00:36:02,900 MY LAST NAME, 696 00:36:03,300 --> 00:36:04,000 MY BANK ACCOUNT-- 697 00:36:04,000 --> 00:36:06,400 IS GONNA KEEP YOU FROM GETTING WHAT YOU DESERVE, 698 00:36:07,800 --> 00:36:09,300 NOT IF I CAN HELP IT. 699 00:36:11,400 --> 00:36:12,400 AND I SEE THAT DARTMOUTH 700 00:36:12,400 --> 00:36:14,299 HAS AN ELECTROACOUSTIC MUSIC PROGRAM. 701 00:36:14,300 --> 00:36:17,000 WHAT DO YOU THINK OF ME APPLYING? WHAT? 702 00:36:17,100 --> 00:36:19,300 YEAH, AND JENNY'S SMART. WE'LL GET HER EARLY ADMISSION. 703 00:36:19,300 --> 00:36:21,500 MAYBE WE'LL ALL GO. 704 00:36:21,900 --> 00:36:24,100 SO NOT REMOTELY FUNNY. 705 00:36:36,000 --> 00:36:37,400 NATE. 706 00:36:38,900 --> 00:36:40,300 HUH? 707 00:36:44,000 --> 00:36:45,400 HELLO? 708 00:36:47,800 --> 00:36:49,900 OH, YEAH, I'LL BE RIGHT THERE. 709 00:36:50,700 --> 00:36:53,100 WHERE THE HELL COULD YOU POSSIBLY HAVE TO BE RIGHT NOW? 710 00:36:53,100 --> 00:36:55,100 I'M LATE FOR A RUN WITH MY DAD. 711 00:36:57,300 --> 00:36:59,200 WHO'S JESSICA? 712 00:36:59,900 --> 00:37:01,700 (chuckles) AW, JERSEY GIRLS. 713 00:37:02,300 --> 00:37:03,099 LET'S JUST SAY 714 00:37:03,100 --> 00:37:06,000 THEY'RE THE PRINCETON TIGERS FOR A REASON. 715 00:37:08,000 --> 00:37:09,500 ALL RIGHT, I'LL SEE YA. 716 00:37:13,000 --> 00:37:14,400 (Captain) YOU FEEL THIS? FEELING GOOD? 717 00:37:14,400 --> 00:37:16,800 GOOD. ALL RIGHT, 'CAUSE I'M GONNA... 718 00:37:16,800 --> 00:37:20,200 HEY, GOOD TO SEE YOU, SON. TURNS OUT JED'S A RUNNER, TOO. I WOULD 719 00:37:20,200 --> 00:37:23,600 IF I KNEW HE WAS GONNA GET ME OUT HERE THIS EARLY. I'M GLAD TO SEE 720 00:37:23,600 --> 00:37:25,599 YOU'RE FEELING BETTER, NATE. I WAS, UH, JUST TELLING JED 721 00:37:25,600 --> 00:37:28,300 ABOUT YOUR LITTLE BOUT OF FOOD POISONING LAST NIGHT. 722 00:37:28,400 --> 00:37:32,900 WHAT DO YOU SAY, KIDDO? YOU WANT TO SHOW HIM HOW IT'S DONE? LET'S GO. 723 00:37:32,900 --> 00:37:35,000 NATE IS THE CAPTAIN OF HIS LACROSSE TEAM, 724 00:37:35,100 --> 00:37:38,400 AS WELL AS BEING AN ALL-STAR CROSS-COUNTRY RUNNER. 725 00:37:49,100 --> 00:37:50,400 HI. HEY! 726 00:37:50,400 --> 00:37:53,600 UM, IS IT OKAY THAT I'M HERE? 727 00:37:53,600 --> 00:37:55,099 YEAH. HI. 728 00:37:55,100 --> 00:37:57,300 UH, WILL YOUR MOM BE MAD? 729 00:37:57,300 --> 00:38:00,100 THAT YOU'RE HERE? THAT WOULD REQUIRE HER STOPPING BY. 730 00:38:00,600 --> 00:38:03,099 SATURDAY MORNINGS ARE SPENT AT BLISS, AND AFTER LAST NIGHT, 731 00:38:03,100 --> 00:38:06,100 I THINK SHE COULD USE SOME EXTRA TIME ON THE MASSAGE TABLE. 732 00:38:06,500 --> 00:38:09,000 RIGHT. WELL, HERE. 733 00:38:10,700 --> 00:38:12,100 SOMEBODY HAS AN ADMIRER. 734 00:38:12,100 --> 00:38:14,900 THEY'RE FOR MY SISTER... FROM THE BROWN REP. 735 00:38:14,900 --> 00:38:18,300 UM, APPARENTLY HIS COUSIN DID SOME TIME HERE IN HIS YOUTH. 736 00:38:18,300 --> 00:38:19,600 WELL, THAT'S GOOD, RIGHT? 737 00:38:19,600 --> 00:38:22,400 I MEAN, AT LEAST HER ENTIRE FUTURE ISN'T BLOWN. I DON'T THINK 738 00:38:22,400 --> 00:38:24,700 THAT'S MAKING HER FEEL A WHOLE LOT BETTER RIGHT NOW. 739 00:38:41,300 --> 00:38:42,499 WHENEVER SOMETHING'S BOTHERING YOU, 740 00:38:42,500 --> 00:38:44,600 I CAN ALWAYS FIND YOU HERE. 741 00:38:47,500 --> 00:38:49,500 YOU HERE FOR ANOTHER CATFIGHT? 742 00:38:54,800 --> 00:38:56,300 WHAT'S THAT? 743 00:38:56,300 --> 00:38:57,900 A LETTER. 744 00:38:58,200 --> 00:39:00,900 I WROTE IT TO YOU WHEN YOU WERE AWAY AT BOARDING SCHOOL. 745 00:39:01,400 --> 00:39:02,900 I NEVER SENT IT. 746 00:39:07,100 --> 00:39:08,900 "DEAR SERENA, 747 00:39:08,900 --> 00:39:11,700 "MY WORLD IS FALLING APART, 748 00:39:11,700 --> 00:39:15,100 "AND YOU'RE THE ONLY ONE WHO WOULD UNDERSTAND. 749 00:39:15,400 --> 00:39:19,400 "MY FATHER LEFT MY MOTHER FOR A 31-YEAR-OLD MODEL... 750 00:39:20,600 --> 00:39:22,500 "A MALE MODEL. 751 00:39:24,300 --> 00:39:25,299 "I FEEL LIKE SCREAMING 752 00:39:25,300 --> 00:39:29,200 "BECAUSE I DON'T HAVE ANYONE TO TALK TO. 753 00:39:30,100 --> 00:39:31,600 "YOU'RE GONE..." 754 00:39:32,600 --> 00:39:34,300 "MY DAD'S GONE. 755 00:39:34,600 --> 00:39:36,600 NATE'S ACTING WEIRD." 756 00:39:37,900 --> 00:39:40,300 (voice breaks) "WHERE ARE YOU? 757 00:39:40,600 --> 00:39:42,300 WHY DON'T YOU CALL?" 758 00:39:45,400 --> 00:39:48,000 "WHY DID YOU LEAVE WITHOUT SAYING GOOD-BYE? 759 00:39:48,100 --> 00:39:50,400 "YOU'RE SUPPOSED TO BE MY BEST FRIEND. 760 00:39:50,900 --> 00:39:52,500 I MISS YOU SO MUCH." 761 00:39:55,700 --> 00:39:57,400 "LOVE, BLAIR." (paper rustles) 762 00:40:01,600 --> 00:40:03,600 WHY DIDN'T YOU SEND IT? 763 00:40:04,000 --> 00:40:04,800 I WOULD'VE-- 764 00:40:04,800 --> 00:40:06,100 YOU WOULD'VE WHAT? 765 00:40:08,700 --> 00:40:10,400 YOU KNEW, SERENA, 766 00:40:11,600 --> 00:40:14,100 AND YOU DIDN'T EVEN CALL. 767 00:40:14,300 --> 00:40:17,799 (voice breaks) I DIDN'T KNOW WHAT TO SAY TO YOU 768 00:40:17,800 --> 00:40:21,500 OR EVEN HOW TO BE YOUR FRIEND AFTER WHAT I DID. 769 00:40:24,800 --> 00:40:27,000 I'M SO SORRY. 770 00:40:31,200 --> 00:40:34,000 ERIC TOLD ME WHAT HAPPENED. 771 00:40:34,800 --> 00:40:37,800 I GUESS YOUR FAMILY'S BEEN GOING THROUGH A HARD TIME, TOO. 772 00:40:39,200 --> 00:40:41,199 SPOTTED IN CENTRAL PARK-- 773 00:40:41,200 --> 00:40:43,200 TWO WHITE FLAGS WAVING. 774 00:40:43,200 --> 00:40:46,899 COULD AN UPPER EAST SIDE PEACE ACCORD BE FAR OFF? 775 00:40:46,900 --> 00:40:50,700 SO WHAT WILL IT BE-- TRUCE OR CONSEQUENCES? 776 00:40:50,700 --> 00:40:54,500 WE ALL KNOW ONE NATION CAN'T HAVE TWO QUEENS. 777 00:40:54,600 --> 00:40:56,100 WHAT HAPPENS NEXT? 778 00:40:56,500 --> 00:40:58,300 ONLY TIME WILL TELL. 779 00:40:58,300 --> 00:41:01,500 X.O.X.O., GOSSIP GIRL. 破烂熊字幕组 -==http://www.ragbear.com==- 欢迎加入